The Creative Team
The Argument by Gregory Moss
 Sara Robinson Sara Robinson (Stage Manager) is excited to be working with Interrobang Theatre Project. Chicago credits include Dog & Pony, Idle Muse, Halcyon, First Folio, Pride Productions. Regional credits include two seasons with Michigan Shakespeare Festival, Michigan Shakes: Short Shakes R & J Tour; Spotlight, Flint City Theatre, Syncopation, U of M- Flint, and seven seasons with Young Peoples Ballet Theatre. |
 Danny Bernardo Danny Bernardo (Choreographer) is stoked to work with Interrobang for the first time. Credits include work with About Face, Bailiwick, Silk Road, Collaboraction, Lifeline, and Porchlight, where he is an artistic associate. He has served on faculty at the Chicago Academy for the Arts, Metropolis, and After School Matters/Gallery 37. Follow @that1guydannyb |
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GW Rodriguez (Sound Designer)
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Caitlin Fergus (Set and Prop Designer) earned an MFA in scenic design from Boston University and has recently relocated to Chicago. Most recent design credits: Hedda Gabler (Boston University), The Great Heathersby Heist (11:11 Theatre Company-Boston), Neighborhood 3: Requisition of Doom (A.R.T.-Cambridge, MA), Diventare (Boston University, KCACTF). Props credit: Photograph 51 (Ensemble Studio Theatre-NYC). Portfolio: www.caitfergus.com
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Mary Ellen Stebbins (Lighting Designer) Recent credits: CTA:Coming to America (Chicago), Hold, Music, Good (NYC). 2009 Hangar Theatre Lab Company Design Fellow, 2011 USITT Barbizon Lighting Design Award. MFA, Boston University. She is currently the Lighting Director for Monica Bill Barnes & Company and lives in New York City. www.maryellenstebbinsdesign.com
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Emma Weber (Costume Designer)
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Matt Rudy (Dramaturg) has served as dramaturg for CTA: Coming to America, a documentary theater piece conceived by Jenny Rachel Weiner and Kira Silverstien. His most recent directing credits include co-directing Redmoon Theater’s enormous animated comic book, The Astronaut’s Birthday with artistic director Frank Maugeri and co-directing Nothing Without a Company’s colorful dance piece, Move with artistic director Anna Rose Epstein. He is also a performer and often works spectacle performance and puppetry. Thanks to Jeffry and Jenny for their relentless curiosity and ongoing wisdom.
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 Jenny Rachel Weiner Jenny Rachel Weiner (Dramaturg, ITP Founding Member) is a graduate of Boston University’s Theatre Conservatory. Since Jenny has been in Chicago, she has worked with About Face Theatre, Piven Theatre Workshop, Dog & Pony Theatre Co., American Theatre Company and Barrel of Monkeys, where she is a member of the Performing Ensemble. Jenny’s play diventare was showcased at the Kennedy Center as part of the American College Theatre Festival where she was the 2010 recipient of the National Student Playwriting Award. Jenny is thrilled to be (co)-dramaturg on THE ARGUMENT with Interrobang Theatre Project where she is a Founding Ensemble Member.
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Seth Kannof (Assistant Stage Manager)
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Bradford Chapin (Associate Sound Designer) is a second year MFA candidate at UIUC studying Sound Design. San Francisco Bay Area sound design credits include Happy Days (California Shakespeare Theater), She Stoops to Comedy (SF Playhouse), and ReOrient Festival 2009 (Golden Thread). Chicago credits include John and Jen (Apple Tree Theatre), Arrangements (Pavement Group), and Seven Doors (Premiere Theatre and Performance). In addition to his current position at Krannert Center, he has served as a sound engineer for California Shakespeare Theater, TheatreWorks, Magic Theatre, and Utah Shakespearean Festival. Bradford holds a Bachelor of Arts degree in Music from University of Wisconsin-Parkside.
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